Pathetic Start and Some Progress

Again, thank you for your comments on my progress on Eightsome Reel.  Honestly the more I stitch it, the more I wish I had done it in one color - perhaps a deep cranberry? Oh well, the investment in time and materials has been made and that amazing color changing fabric is hard to come by so multi-colored it will be. I keep hoping that some day I will get DSon's photography skills, but I do not see that happening any time soon.  Nicola, I commute to work five days one week (9 hours for four days and 8 hours on one), four the next (9 hours each day) and I get one day off every two weeks.  I do have a telework agreement that allows me to work from home one day a week, but the project I have been working on has a ton of back-up paperwork associated with it, so I have not been working from home for fear of throwing out my back or shoulder lugging the computer and all the paperwork back and forth.  I am hoping to get back into my telework schedule in the near future. The commute is not all bad, I drive a half hour each way and then spend the rest of it on a train.  I sleep for the majority of the morning ride and read on the way home.  I use to do a lot of stitching, but I have been on a reading kick for the last six months or so.  My commute is on the outside range of usual, but 1-1/2 to 2 hours commutes aren't uncommon for a commuter in the Washington, DC area.

As mentioned in the header, I had a pathetic start to my Mill Hill series.  I am doing the Buttoned and Beaded 2006 Christmas Village on one piece of 28-count natural linen.  I had another one of those days that started with great plans but went off on tangents and suddenly it was 7.00 and I had done no stitching.   Here is what I did get done in the short time I had left for stitching:



Tree Farm from the 2006 Mill Hill Buttoned and Beaded Christmas Village
Stitched on 28-county Natural linen with DMC and Mill Hill beads

The outline you see on the sides and top will be repeated for all six of the kits.  I am thinking of extending the flakes a bit further down the left side, but will see how it looks when I finish the entire piece.

The progress is on Carriage House Samplings' Autumn at Hawk Run Hollow.  This one was so much easier with my new Mighty Bright magnifier.  I started this one with a magnifier attachment on my OTT floor lamp and it worked but I always had a problem adjusting the light so that I didn't get any glare on the magnifier.  As the lights are around the magnifier on the Mighty Bright, no glare - ever.  Hmmmm, that sounded like an advert didn't it?  Not affiliated in any way with either OTT or Mighty Bright, just a very happy customer of both companies. Anyway, here is where I started this week:



Autumn at Hawk Run Hollow by Carriage House Samplings
Stitched on Lakeside Linen's 40-count Sand Dune with NPI and Thread Gatherer fibers

And here is where I stopped:



Autumn at Hawk Run Hollow by Carriage House Samplings
Stitched on Lakeside Linen's 40-count Sand Dune with NPI and Thread Gatherer fibers

And no I haven't changed from my usual top-down/left-right stitching pattern, I'm actually stitching it upside down so that I can keep up my normal stitching style.  It looks like someone took a huge bite out of the side of that pumpkin doesn't it?

According to my project cards, Blue Ribbon Designs' Countdown to Christmas will be on the frame for this coming week.  Another one stitched on 40-count! Very poor planning on my part.  The forecast is for cold and rain/snow this weekend, so it will be a perfect one to stay in and stitch.